Video

A Short Blues Lick to Steal, Because Six Good Notes Beat a Hundred Fast Ones

Lick #9: a bite-sized blues line that's all feel, no filler.

Nobody has ever walked off a blues stage muttering, "wow, what a lot of notes." The blues is the one genre where playing fewer notes — but actually meaning them — beats a hundred-mile-an-hour scale run every single time. Which is fantastic news if, like me, you own exactly six good notes and an unreasonable amount of confidence.

This is Lick #9, a short blues lick built to capture the phrasing and feel that live at the very heart of blues guitar. It's under 20 seconds long, it drops neatly into your own solos, and it ships with a PDF and a Guitar Pro file so you can steal it properly. Think of it as vocabulary, not homework.

How this blues lick works

Almost everything here lives inside the minor pentatonic box, with a cheeky "blue note" (that flat five) sneaking in for grit. But the notes aren't the point — the phrasing is. Where you place a bend, how long you let a note ring, the little breath of silence before the next phrase: that's what makes five notes sound like a conversation instead of a shopping list. If you want the map these boxes come from, my pentatonics guide lays the whole thing out.

Concrete takeaway: don't just learn the notes, learn the rhythm and the bends. Play the lick, then immediately try it starting on a different beat, or leave a bigger gap in the middle. Same notes, completely different sentence. That's how a canned line turns into your own voice — and once it feels natural, my guide to lick creation shows you how to grow your own.

Grab the tab, loop it until your neighbours start humming it, and go bend something. If you'd like every PDF and Guitar Pro file I make (plus my undying gratitude), they live on my Patreon.